Archiv der Kategorie: Interviews

“I am conducting surveillance even as I research it”: Interview with Bryce Newell

by Catherine Whittaker and Alena Zelenskaia

Lecture by Bryce Newell „Radical Visibility. The Information Politics of Police on Camera“ via Zoom at the Collaborative Research Centre 1369 “Cultures of Vigilance”, LMU Munich, 17.06.2020.

In June 2020, the “Cultures of Vigilance”-Team was honored to welcome Dr. Bryce Newell as a guest lecturer at the Collaborative Research Centre 1369. At a time when Black Lives Matter protests were making waves worldwide, his insights on racism, police, surveillance and sousveillance (counter-surveillance from below) could not have been more timely.

Assistant Professor Bryce Newell teaches at the School of Journalism and Communication at the University of Oregon (USA). Beyond researching issues of privacy and surveillance, technologies, information law, and policy, Newell is also a documentary filmmaker, who successfully exhibited his work at museums and campuses in the United States, Germany and the Netherlands. In his workshop, “Radical Visibility: The information Politics of Police on Camera,” we were happy to see some parts of the feature-length documentary “The Tinaja Trail” and learn about US-Mexican border control techniques, migrant deaths and responses to them. Postdoctoral researcher Catherine Whittaker and PhD Student Alena Zelenskaia, who both study migration and control over it from an anthropological perspective, went deeper into the topic and interviewed Newell on his academic career path and ethnographic field.

Poster of Bryce Newell’s film „The Tinaja Trail“ (2014). A trailer can be found here.

CW/AZ: What motivated you to study police surveillance, privacy and migrant experiences? How did your scientific interest in these and adjacent topics develop?

BN: My motivation to study migrant experiences and border enforcement began in early 2010, when I became aware of how many people were dying along the US-Mexico border while trying to cross clandestinely into the United States. This was a shocking revelation to me. Because of my background in documentary and video production, I wanted to produce something that would have the capacity to inform others. So, I started to produce a film on this topic, travelling to the border multiple times over the next few years. In 2014, as the film was being finished, I decided to continue working along the border with the migrants and migrant-aid communities I had gotten to know – this time by conducting qualitative social research that would help build my research agenda as a budding academic researcher. Those efforts initiated my ongoing collaboration with Ricardo Gomez and others (including Sara Vannini, Veronica Guajardo).

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“Cholera is portrayed as the disease of the dirty, the colonized, the poor”: Interview with Aureo Lustosa Guerios

Interview by Loredana Filip

An illustration representing cholera personified. Wikimedia Commons.

Aureo Lustosa Guerios is a PhD student at the University of Padua interested in Comparative Literature, Cultural History and Medical Humanities. His research surveys the literary representations of epidemic cholera in the 19th and early 20th centuries. He writes and presents the podcast “Literatura Viral” in Portuguese in which he discusses how epidemics influence history and art. He holds a master’s degree in “European Literary Cultures” and wrote his thesis on the Divine Comedy. While pursuing his BA in Brazil, Aureo’s research focused on literary modernism (Joyce, Baudelaire, Mann) and the translation of children’s literature (Dr. Seuss).

Aureo Lustosa Guerios

LF: Your PhD dissertation deals with literary representations of epidemic cholera in the 19th and 20th centuries. Can you tell us more about it?

ALG: My dissertation is part of a collective effort to address a gap in the research on this disease. Cholera was the great pandemic disease of the 19th century. It started to spread around 1817 and it circumnavigated the globe four or five times before the 1920s. From this point onwards, some believed that cholera had been eradicated. However, a new wave hit in 1961, which has never been declared over. Today we are still living in the 59th year of the 7th Cholera Pandemic. Cholera has been a scourge for so many and for so long, and it has definitely left its mark on literature and art. But this has often been neglected. Only in the last decades have literary scholars started to pay closer attention to representations of disease. However, most of them focus on tuberculosis and syphilis, so other diseases such as cholera, malaria, typhus or even the Spanish Flu have been ignored. 

“Cholera is portrayed as the disease of the dirty, the colonized, the poor”: Interview with Aureo Lustosa Guerios weiterlesen